A certain kind of person is drawn to Johnnie Davis’ brand known for its renegade spirit. A person looking for a vibe that’s wearable with an air of excitement.
The artist is on a traveler’s journey from her roots to where she is now. Her music is an acceptance and integration of all of her cultures, eras and versions along the way.
Bibs Moreno’s project captures people in L.A. in their natural luminosity. The magazine — much like its cousin Fruits, which documented style and subculture in Tokyo — is a sensory world of aesthetic celebration.
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Even if you’re just trying something on for a few minutes before returning it to the rack, it’s thrilling to study, firsthand, the work of major designers’ artistic visions and how they have evolved.
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To most people, a shirt with a collar is a nice shirt. But there is so much importance woven into that little scrap of cloth.
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Care is a plastic cover on your grandmother’s sofa. It bonds with you on a cellular level — and is hard to peel yourself off.
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To the unsympathetic eye, the hairstyle is peculiar, so childlike and unflattering as to be offensive. But as rasquache provocation, it’s also a work of anti-assimilationist art.
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Chances are you have crossed paths with LTTT somewhere. The fashion brand by Jiro Maetsu is an “unspoken but blatant community” that has exploded from L.A. to the world.
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At this age, I understand Jody’s mom in “Baby Boy.” Luxury is sitting in the garden with a cigarette and just giving exhale.
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Rio Uribe has closed the book on his 10-year-old brand. But the GS legacy — flying your freak flag on your back and riding for your community through your clothes — lives on.
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There’s a classic feeling to L.A.’s favorite regalia that transcends genre and class. Every time you freak it, you step into a high-fashion world that is all your own.